Wood, steel, fire, water, birds, buckets, carousel, column, ladders, platform, pulleys, tower, trenches, wheels
40’ x 25’ x 100’
Sited for Washington Public Arts, Washington D.C., Twelfth and G Streets, Washington D.C., temporary installation
Photo: Alice Aycock
Wood, belts, cables, clamps, pulleys, steel
Approximately 16’ x 15’ x 11’
Collection of the Orange County Museum of Art, California
Photo: Yubo Dong, ofstudio; Noah Kelber (details)
From the Series Entitled How to Catch and Manufacture Ghosts
Cable, copper, galvanized steel, glass piping, steel, wire and wood
30’ x 75’ x 120’ (variable)
Sited at University of Florida, Tampa, FL
Photo: Alice Aycock
Glass, concrete, steel, sheet metal, copper, neon light and vegetation
Approximately 30’ x 30’ x 20’; A 16’ high structure with sounding devices; 26’ antennae, bells ringing in a vacuum and cyclotron pipe system for sending vibrations
Permanently sited at Douglass College, New Brunswick, New Jersey
Photo: Mike Van Tassell / mikevantassell.com (Color); Wenda Habenicht (B+W)
Hoodo (Laura), From the Series Entitled How to Catch and Manufacture Ghosts: Vertical and Horizontal Cross-Sections of the Ether Wind, 1981
Plexiglas, glass, steel, galvanized steel, moving parts, neon light
Approximately 30’ l x 34’ w x 10’ h
Collection of the Los Angeles County Museum of Art
Structural steel, anodized aluminum, fans, fluorescent lighting, motors, galvanized sheet metal, copper tubing, rack of hot coils
Approximately 10’ high x 10’ diameter x 20’ long
Photo: Jon Abbott
Galvanized sheet metal
5’ diameter x 3’ high
Private collection
Photo: Fred Scruton
The Solar Wind, From the Series Entitled, “A Theory of Universal Causality (Time/Creation Machines), 1983
Painted steel, aluminum, galvanized sheet metal, Plexiglas, cable, blue neon light
40’ h x 40’ w x 31’ d
Roanoke College, Salem, VA
Structure 1- The Nets of Solomon; Structure 2- The Celestial Alphabet; Structure 3- The Game Assembly; Structure 4- The Spinning Top
Steel, glass, electrical lights
Approximately 13’ wide x 75’ long
Room size installation, constructed for the Museum of Contemporary Art, Chicago
Photo: Tom Van Ende, Fred Scruton
Structural steel, aluminum, galvanized sheet metal, Plexiglas, motorized parts, blinking lights, steel mesh
Variable dimensions: Approximately 30’ h x 22’ w x 80’ l
Installed at Protetch McNeil Gallery, New York, NY, 1983
Photo: Wolfgang Staehle, Alice Aycock
Steel, brass, zinc, Plexiglas, cable, charcoal, motorized parts
87” high x 60” long x 130” wide
Photo: Fred Scruton
Steel, spinning glass disk, red neon light, suspended mirror and glass, spinning crescent-shaped steel blades, cable
88” h x 53” w x 60” l
Photo: Pierre Le Hors, Courtesy Marlborough Gallery, New York and London (2020)
A Salutation to the Wonderful Pig of Knowledge (Oh! Great Jellyfish, Great Waterspouter... There’s a Hole in the Bucket, and There’s a Hole in my Head...), 1984
Steel, copper, brass, aluminum, formica, wood, Plexiglas, LEDs, motorized parts
6.75’ x 9.25’ x 11.5’
Photo: Herling/Herling/Werner, Sprengel Museum Hannover, 2019; Fredric Snitzer Gallery, 2009
Wood painted white
28’ h x 12’4” w x 12’4” d
Photo: Rick Gardner, Robert Pettus
Wood painted white
Approximately 32’ h x 13’6” w x 11’9” d
Originally sited at Lake Biwa, Japan
Three elliptical steel bowl forms each containing a skewed step formation supported by three vertical steel poles, steel painted white
32’ h x 12’ w x 14’ d
Photo: Jerry L. Thompson
Permanent collection of Storm King Art Center, Mountainville, NY.
Designed for and temporarily sited at Doris Freedman Plaza, 60th St. and 5th Ave., Central Park, New York City, May, 1987.
Brass, wood, aluminum, mirror, Plexiglas
11’ h x 4’8” d x 7’ w
Photo: Mark America
